This exhibit in part aims to highlight the intersectionality and interconnectedness of Afrofuturistic music and technology, not only globally but also at the local and institute level.
Afrofuturism centers on the belief that the future will be shaped by the innovations of black people, whether on Earth or beyond. This philosophy was first brought into music by Sun Ra's cosmic jazz in the 1950s, where he often performed in space suits. As Afrofuturism evolved, it influenced various genres such as funk, techno, hip-hop, and IDM. It encourages artists to adopt bold visual aesthetics, like George Clinton's colorful, spaceship-themed funk persona.
Afrofuturist music is characterized by its fascination with technology, often incorporating electronic elements and altering the human voice to sound computerized. This ideology manifests in diverse ways, from Kool Keith's robot-themed raps to Janelle Monáe's androgynous alien persona in her sci-fi soul music. Other notable Afrofuturist artists include Grace Jones, Erykah Badu, Missy Elliott, and Solange Knowles[1].
Technology has profoundly impacted music creation and consumption. Digital audio workstations (DAWs) have made music production more accessible, allowing artists to compose, record, and edit their music in virtual studios[2]. Electronic instruments and effects enable musicians to experiment with new sounds and genres. Streaming platforms and social media have revolutionized how music is distributed and consumed, making it easier for artists to reach global audiences[3][2].
Regardless of its form, Afrofuturist music consistently pushes the boundaries of creativity and challenges conventional assumptions.
Additional components of this exhibit lasting throughout the duration of the festival include:
- Vinyl collections and access to streaming audio and video of leading pioneers in the genre.
- A display of musical instruments and technological artifacts used by artists and creators in the genre from the 50s onward.
- A digital installation in the Lewis music library chronicling the history of afrofuturistic music from the past 70 years.
The exhibition is on view from March 4–16 and accessible on weekdays from 10:00am–6:00pm.
Related Events
Tuesday, Mar 4 at 5:00–7:00pm, Lewis Music Library // Opening reception
Please join us as we celebrate the launch of our traveling exhibition highlighting the rich history of Afrofuturism in music. Attendees are welcome to interact with the digital installations, allowing further exploration of media and content from key figures of Afrofuturism. This event includes a welcome by Chris Bourg; Director of Libraries, Dr. Alexia Hudson-Ward; Associate Director of Research & Learning and Strategic Partnerships, and Avery Boddie; Lewis Music Library Department Head. Reception to follow.
Friday, Mar 7 at 12:00-2:00pm, Lewis Music Library // Film Screening
As part of the exhibition, join us for a screening of the Afrofuturistic sci-fi film Space is the Place, directed by John Coney and featuring Sun Ra and his Arkestra. The film follows Sun Ra as he travels through time and space, seeking to transport Black people to a new utopian planet where they can thrive free from oppression. Blending surreal visuals, philosophical musings, and Sun Ra's signature music, this avant-garde masterpiece is part cosmic odyssey, part social commentary, and wholly unique. It's a kaleidoscopic exploration of liberation, identity, and the boundless power of imagination. Light snacks and popcorn will be provided.
References
[1] Afrofuturism - National Museum of African American History and Culture
[2] The Impact of Technology on the Music Industry - AAFT
[3] The Impact of Technology on the Music Industry - SUU
[4] Through space and rhyme: How hip-hop uses Afrofuturism to take listeners on journeys of empowerment
