Drawing inspiration from the joss paper burning (燒衣紙) practices in Hong Kong during Ghost Month, locals engage in ceremonial incineration to communicate with the deceased. Joss paper, shaped to resemble consumable items like iPhones, Rolexes, or even Mercedes Benz, is sent to the underworld, allowing ancestors to enjoy these modern luxuries. Though this tradition originates from Buddhist and Taoist practices, it is the mass manufactured materials and goods that give form to these beliefs in our contemporary world.
Taking place in the Weisner Gallery over one and a half months, this exhibition critically accounts the intersection of belief and modernity, positioning the viewers within an ambiguous ritual—a continuously printing, yet unreachable, machine housed in an altar. This is drawn specifically to the mass production of joss paper that uses industrial printers to create all forms of symbolic and materialistic worships, by reversing its mechanical nature into a spiritual one instead. This installation invites viewers to project their own beliefs onto the ritual, offering the space for meditation, self-contemplation or collective reflection. Students and faculty in MIT are encouraged to isolate themselves momentarily from life's constraints, using the space to rediscover oneself, regain confidence, and foster love and solidarity.
The exhibition will be on display from Mar 14–Apr 11 and accessible daily from 9am-9pm.
Related Events
Mar 14, 6:00–8:00pm // Opening Reception
Join the artists for a reception celebrating the opening of the exhibition